Yiou Penelope P.
Doc. Theatre Studies, Embodied Writer.
P61 Post Human Performativity
IV- The Imaginations
P- Time
21- Change
Question No.42
Doc. Theatre Studies, Embodied Writer.
P61 Post Human Performativity
IV- The Imaginations
P- Time
21- Change
Question No.42
what kind of
POST HUMAN PERFORMATIVITY
would be remontantFury ?
POST HUMAN PERFORMATIVITY
would be remontantFury ?
“she is
exhausted
by words .
so she decides to express herself
through means that are foreign to her:
like trying to breathe underwater;
or memorising the spirits’ names in sanskrit;
or drawing in forgotten memories
like…doing something that she is not good at
— —
letting that foreignness,
that very ‘not-knowing’
embody
the simple process of
answering a question
or rather,
creating openings.
as she believes that this ‘not-knowing’ is able to
(more or less) shut down her pre-programmed human-brain,
even just momentarily.
she has been (academically) trained
to ‘think critically’
almost her entire earthling life.
but in the end she is exhausted by such training.
as a result,
she chooses to draw this time,
with her long abandoned left wing.
exhausted
by words .
so she decides to express herself
through means that are foreign to her:
like trying to breathe underwater;
or memorising the spirits’ names in sanskrit;
or drawing in forgotten memories
like…doing something that she is not good at
— —
letting that foreignness,
that very ‘not-knowing’
embody
the simple process of
answering a question
or rather,
creating openings.
as she believes that this ‘not-knowing’ is able to
(more or less) shut down her pre-programmed human-brain,
even just momentarily.
she has been (academically) trained
to ‘think critically’
almost her entire earthling life.
but in the end she is exhausted by such training.
as a result,
she chooses to draw this time,
with her long abandoned left wing.
she doesn’t want to ‘think critically’ anymore.
she wants to ‘feel critically’
or
‘feel furily’. ”
she wants to ‘feel critically’
or
‘feel furily’. ”